Mixed

Mixed is the past tense of mix. It may also refer to:

Mixed (United Kingdom ethnicity category)

Mixed is an ethnicity category that has been used by the United Kingdom's Office for National Statistics since the 1991 Census. Colloquially it refers to British citizens or residents whose parents are of two or more different races or ethnic backgrounds. Mixed-race people are the fastest growing ethnic group in the UK and numbered 1.25 million in the 2011 census.

Statistics

In the 2001 census, 677,177 classified themselves as of mixed race, making up 1.2 per cent of the UK population.Office for National Statistics estimates suggest that 956,700 mixed race people were resident in England (as opposed to the whole of the UK) as of mid-2009, compared to 654,000 at mid-2001. As of May 2011, this figure surpassed 1 million. It has been estimated that, by 2020, 1.24 million people in the UK will be of mixed race. Research conducted by the BBC, however, suggests that the mixed race population could already be twice the official estimate figure - up to 2 million.

Mixed (album)

Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks form the "Gil Evans album" (i.e. Evans was not meaningfully involved but Impulse had printed the album covers) teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.

Reception

The Allmusic review by Scott Yanow states "Although not Roswell Rudd's greatest album, there are enough fascinating ensembles on this set for it to nearly hold its own with Cecil Taylor's more essential session".